Procrastination man - Part 2

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Friday 28 August 2009

The Cell

BBC Four recently showed a three-part documentary series called The Cell. It shows once more the unequalled craftsmanship of the broadcaster for this type of charismatic, entertaining and enlightening shows. After The Story of Maths, featuring Marcus du Sautoy, and How the Celts Saved Britain, by Dan Snow, The Cell features another enthused specialist, Adam Rutherford. And this might be the secret behind the success of these shows: their makers simply love what they're talking about, and their interest is communicated to us.
I mean, I would never have watched a history programme if it hadn't been enthralling. And where both du Sautoy and Snow showed a strong, but reserved interest in their topic, Rutherford was the archetypal fanboy. His joy at seeing the original equipment was clear and, most importantly, communicative.

Like The Story of Maths before it, The Cell covers the history of its topic - from the discovery of the cell to the most modern developments. And just like its predecessor, it succeeds in two very important challenges: it makes its subject matter alive and vibrant, but it also makes it manageable: indeed, the discoveries from just fifty years ago are now in the A-Level syllabus, but were the result of hard work. As a result, today's discoveries (about switch genes, for instance?) look like they might get easy to understand, at some point. It makes research much more worthy.



But The Cell has its defaults, its inaccuracies when it tries to oversimplify. The most unforgiveable one is probably the CGI showing cells dividing with their nuclei staying nicely in their middle... Other minor defaults include the attribution of the discovery of DNA: in part 2, it is done properly, so why go over it too quickly again in part 3? Why insist on God and Darwin in part 3? It would have been justified if the actual creation of a cell had been shown to be random. However, as it stands, DNA bases come seemingly from outer space (but how did they develop there in the first place?) and it is possible to get amino-acids spontaneously developing in a pre-biotic soup. And the much hyped second genesis experiment only shows it is possible to get spontaneously ribosomes from other parts, though the creation of those parts is not explained (RNA polymerase specifically).
So there are defaults. Especially in part 3. But the whole thing is worth watching, yes, even when Adam Rutherford burns himself voluntarily. Because this is exactly the behaviour I would expect from a fanboy, and it makes the whole show more vibrant, if a little weirder!
Finally, Adam Rutherford (or should I say Dr Adam Rutherford, editor of Nature?) is a man of many talents, and his blog series on Alpha from an atheist perspective is very much worth reading!

Friday 14 August 2009

G.I. Joe: The Rise of Cobra

G.I. Joe is the latest offering in a series of action-figures based blockbusters: after Transformers and Transformers 2, and before Lego, it brings to life the much-loved (?) Hasbro characters.
And yes, this film has in common with its predecessors that the plot is fairly light, fanboyish and leads to a lot of grand scale explosions in well-known landmarks. But despite being quite simplistic, G.I. Joe's plot is at least well constructed: despite wide-open plot holes such as the existence of a massive particle accelerator in the centre of Paris, there is a calculated progression and the targets are always clear (secure, prevent, retrieve, save the world in that order).
Yet, despite a sterling perdormance on Tatum's part (along with quite under-average acting on the part of the rest of the cast, yes, even Chris Eccleston), the film fails to make the viewer care for any characters. The frequent use of flashbacks should help, and, clearly, they were included for that purpose, but they were used in such a cliched way that they simply don't work.
So the highlight of the film is its light-heartedness (look out for great names, and a great firing command) and its explosions. In Paris. Just to see the French capital getting its back kicked, should be enough reason to watch G.I. Joe. I mean - seriously - look at the trailer!

Admittedly, Team America was there before, but that was meant to be funny. Ho-hum. And the effects weren't quite as good. So at the end of the day, I'd recommend watching it - with brains switched off.